Sep
20
8:00 PM20:00

DEPRAVED

US. 2019

DIR: L. FESSENDEN

The legend of Frankenstein gets a provocative modern update in the stylishly disturbing new film from indie horror master Larry Fessenden. Suffering from PTSD following his stint as an army medic, Henry (David Call) now works feverishly in his Brooklyn laboratory to forget the death he witnessed overseas by creating life in the form of a man cobbled together from body parts. After procuring a brain from an unwitting victim, his creation—Adam (Alex Breaux)—is born. But it soon seems that giving life to Adam was the easy part; teaching him how to live in a dark and troubled world may be perilous. A complex, emotionally shattering tale about what it means to be human, Depraved brings Mary Shelley's immortal fable fully into the 21st century.

Buy tickets here:

https://www.eventbrite.com/e/depraved-tickets-73504051597

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Sep
21
2:30 PM14:30

CLIMAX

FR. 2018

DIR: G. NOE

French dancers gather in a remote, empty school building to rehearse on a wintry night. The all-night celebration morphs into a hallucinatory nightmare when they learn their sangria is laced with LSD.

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Sep
21
4:00 PM16:00

THE QUIET ONE

UK. 2019

DIR: O. MURRAY

THE QUIET ONE offers a unique, never before revealed and behind-the-scenes look at the highs and lows of the life and career of Bill Wyman, former, founding member of the Rolling Stones and renaissance man of rock and roll.

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Sep
21
6:00 PM18:00

DEPRAVED

US. 2019

DIR: L. FESSENDEN

The legend of Frankenstein gets a provocative modern update in the stylishly disturbing new film from indie horror master Larry Fessenden. Suffering from PTSD following his stint as an army medic, Henry (David Call) now works feverishly in his Brooklyn laboratory to forget the death he witnessed overseas by creating life in the form of a man cobbled together from body parts. After procuring a brain from an unwitting victim, his creation—Adam (Alex Breaux)—is born. But it soon seems that giving life to Adam was the easy part; teaching him how to live in a dark and troubled world may be perilous. A complex, emotionally shattering tale about what it means to be human, Depraved brings Mary Shelley's immortal fable fully into the 21st century.

Buy tickets here:

https://www.eventbrite.com/e/depraved-tickets-73507405629

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Sep
21
10:00 PM22:00

THE NIGHTINGALE

AU. 2018

DIR: J. KENT

Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.

Buy tickets here:

https://www.eventbrite.com/e/the-nightingale-tickets-73202487611

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Sep
23
7:30 PM19:30

FILM NOIR MONDAYS

Film Noir Mondays are dedicated to bring to light lesser known as well as very obscure films that fit Film Noir cinema, including international titles.

In Noir fashion the movie titles are not revealed beforehand, keeping the audience in total darkness. . .

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Sep
23
9:00 PM21:00

DEPRAVED

US. 2019

DIR: L. FESSENDEN

The legend of Frankenstein gets a provocative modern update in the stylishly disturbing new film from indie horror master Larry Fessenden. Suffering from PTSD following his stint as an army medic, Henry (David Call) now works feverishly in his Brooklyn laboratory to forget the death he witnessed overseas by creating life in the form of a man cobbled together from body parts. After procuring a brain from an unwitting victim, his creation—Adam (Alex Breaux)—is born. But it soon seems that giving life to Adam was the easy part; teaching him how to live in a dark and troubled world may be perilous. A complex, emotionally shattering tale about what it means to be human, Depraved brings Mary Shelley's immortal fable fully into the 21st century.

Buy tickets here:

https://www.eventbrite.com/e/depraved-tickets-73508181951

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Sep
24
7:00 PM19:00

DEPRAVED

US. 2019

DIR: L. FESSENDEN

The legend of Frankenstein gets a provocative modern update in the stylishly disturbing new film from indie horror master Larry Fessenden. Suffering from PTSD following his stint as an army medic, Henry (David Call) now works feverishly in his Brooklyn laboratory to forget the death he witnessed overseas by creating life in the form of a man cobbled together from body parts. After procuring a brain from an unwitting victim, his creation—Adam (Alex Breaux)—is born. But it soon seems that giving life to Adam was the easy part; teaching him how to live in a dark and troubled world may be perilous. A complex, emotionally shattering tale about what it means to be human, Depraved brings Mary Shelley's immortal fable fully into the 21st century.

Buy tickets here:

https://www.eventbrite.com/e/depraved-tickets-73509443725

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Sep
25
9:00 PM21:00

DEPRAVED

US. 2019

DIR: L. FESSENDEN

The legend of Frankenstein gets a provocative modern update in the stylishly disturbing new film from indie horror master Larry Fessenden. Suffering from PTSD following his stint as an army medic, Henry (David Call) now works feverishly in his Brooklyn laboratory to forget the death he witnessed overseas by creating life in the form of a man cobbled together from body parts. After procuring a brain from an unwitting victim, his creation—Adam (Alex Breaux)—is born. But it soon seems that giving life to Adam was the easy part; teaching him how to live in a dark and troubled world may be perilous. A complex, emotionally shattering tale about what it means to be human, Depraved brings Mary Shelley's immortal fable fully into the 21st century.

Buy tickets here:

https://www.eventbrite.com/e/depraved-tickets-73511036489

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Sep
26
7:00 PM19:00

DEPRAVED

US. 2019

DIR: L. FESSENDEN

The legend of Frankenstein gets a provocative modern update in the stylishly disturbing new film from indie horror master Larry Fessenden. Suffering from PTSD following his stint as an army medic, Henry (David Call) now works feverishly in his Brooklyn laboratory to forget the death he witnessed overseas by creating life in the form of a man cobbled together from body parts. After procuring a brain from an unwitting victim, his creation—Adam (Alex Breaux)—is born. But it soon seems that giving life to Adam was the easy part; teaching him how to live in a dark and troubled world may be perilous. A complex, emotionally shattering tale about what it means to be human, Depraved brings Mary Shelley's immortal fable fully into the 21st century.

Buy tickets here:

https://www.eventbrite.com/e/depraved-tickets-73511174903

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Sep
29
6:00 PM18:00

FIDDLIN'

US. 2018

DIR: J. SIMONE

Fiddlin' is a foot-stomping celebration of true Americana and artistic expression. This hopeful, inspiring documentary shines a light on what is best about America. Filmed in the Appalachian Mountains at the World's Oldest Fiddler's Convention, Fiddlin' shows the uplifting and healing power of music. With multi-generations jamming together and kids holding instruments instead of phones, it truly feels like we have taken a step back in time.

Buy tickets here:

https://www.eventbrite.com/e/fiddlin-tickets-73494940345

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Oct
15
9:00 PM21:00

Tromathon of Horror: FRIGHTMARE

US. 1983

DIR: N. VANE

When his loyal fans decide to steal his fresh corpse from the mortuary to party with it all night long, a true horror film star returns from the grave as a ghastly blood-sucker, bent on revenge. At least, will he spare his followers?

Individual tickets:

https://www.eventbrite.com/e/frightmare-tickets-71880399209

Festival pass:

https://www.eventbrite.com/e/tromathon-of-horror-festival-pass-tickets-71748944023

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Oct
16
9:00 PM21:00

Tromathon of Horror: THE DEAD COME HOME

US. 1989

DIR: J. RIFFEL

Friends go inspect an old house. They find a grave of a woman in the front yard. One of them smashes the headstone and awakens her vengeance. The dead come alive and the living can't escape as the house locks down to keep them in, forever.

Individual tickets:

https://www.eventbrite.com/e/the-dead-come-home-tickets-71880868613

Festival pass:

https://www.eventbrite.com/e/tromathon-of-horror-festival-pass-tickets-71748944023

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Oct
19
9:00 PM21:00

Tromathon of Horror: THE SLASHENING and FEAR TOWN USA

THE SLASHENING

US. 2015

DIR; B. BASSHAM

Best friends Lucy, Eva, Ashley, Beth and Margot have a sleepover like any other - until murder joins the party. A tale of friendship, betrayal, madness, and the search for some decent dick.

FEAR TOWN USA

US. 2014

DIR: B. BASSHAM

On St. Blevins Day (the most debauched of regional holidays), four boys looking to lose their virginity, a girl haunted by a dark secret, a lonely teenager, and an escaped mental patient all meet at a party in the woods. They were looking for fun but what they found... was TERROR!

Q&A with the director will follow after the films.

Individual tickets:

https://www.eventbrite.com/e/the-slashening-and-fear-town-usa-tickets-71881251759

Festival pass:

https://www.eventbrite.com/e/tromathon-of-horror-festival-pass-tickets-71748944023

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Nov
16
9:00 PM21:00

OVERWHELM THE SKY

US. 2018

DIR: D. KREMER

"An Existential Epic Neo-Noir," loosely adapted from Charles Brockden Brown's 1799 novel Edgar Huntly, or Memoirs of a Sleepwalker, Overwhelm the Sky tells the story of Edgar "Eddie" Huntly, an east coast radio personality who moves to San Francisco to marry Thea, the sister of his best friend Neil, a successful entrepreneur. Shortly before Eddie's arrival, Neil is found murdered in Golden Gate Park in what the police surmise was a simple mugging gone awry. As the sullen Eddie steps in as interim host of his old friend Dean's late-night talk-radio show, he obsessively makes regular visits to the forested spot where Neil's corpse was found. One such visit unleashes a chain of unpredictable events that sends Eddie snooping into the life of a sleepwalking drifter with a mysterious past.

Q&A with the director and cast members will follow after the film.

Buy tickets here:

https://www.eventbrite.com/e/overwhelm-the-sky-tickets-70089167587

Trailer: https://vimeo.com/305461750

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Nov
17
8:00 PM20:00

OVERWHELM THE SKY

US. 2018

DIR: D. KREMER

"An Existential Epic Neo-Noir," loosely adapted from Charles Brockden Brown's 1799 novel Edgar Huntly, or Memoirs of a Sleepwalker, Overwhelm the Sky tells the story of Edgar "Eddie" Huntly, an east coast radio personality who moves to San Francisco to marry Thea, the sister of his best friend Neil, a successful entrepreneur. Shortly before Eddie's arrival, Neil is found murdered in Golden Gate Park in what the police surmise was a simple mugging gone awry. As the sullen Eddie steps in as interim host of his old friend Dean's late-night talk-radio show, he obsessively makes regular visits to the forested spot where Neil's corpse was found. One such visit unleashes a chain of unpredictable events that sends Eddie snooping into the life of a sleepwalking drifter with a mysterious past.

Q&A with the director and cast members will follow after the film.

Buy tickets here:

https://www.eventbrite.com/e/overwhelm-the-sky-tickets-70089851633

Trailer: https://vimeo.com/305461750

OVERWHELM.jpg
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Nov
21
7:00 PM19:00

Miskatonic Institute of Horror Studies: DESTRUCTIBLE MAN: THE DUMMY-DEATH AND CINEMATIC STORYTELLING LANGUAGE

Prosthetic demise, or the “dummy death” as film historians Howard S. Berger and Kevin Marr refer to it, is a practical cinematic technique wherein an actor portraying a character is replaced by an articulated replica special-effects mannequin at a moment of extreme violence and/or death within a given film’s narrative. This device has been employed by filmmakers all over the world, at every level of production and in every genre since the dawn of the cinematic medium. When viewed in isolation, the dummy death effect can be characterized as the cinematic illusion in microcosm. Artificial celluloid images convey the illusion of life and reality – an illusion that is reflected in the (either subtle or abrupt) transition from actor/character to its corresponding prosthetic replica. It is also cinema at it’s most vulnerable – understanding that a viewer is to temporarily accept this illusion as reality, as such, the nature of this illusion invites this moment where, without explanation, a character physically transforms (however briefly) into something inanimate or inhumanly animate during his or her death. Berger and Marr call this the “Destructible Man effect” and its very existence creates ripples upon ripples of visual and thematic repercussions. Berger and Marr utilize a two-prong approach when examining films that contain a moment of prosthetic demise: one is thematic and one involves strictly visual elements of cinematic storytelling. The key thematic elements relatable to the dummy death effect include (but are not limited to): transformation, substitution, deception, duality and abstraction.

Transformation refers to the abrupt shift in method of presentation from actor/character to prosthetic facsimile (also reflected in narrative aspects such as personality or physical changes in characters); substitution refers to the replacement of actor/character with a prosthetic facsimile (and any story arcs that depict substitution of one or more characters for others); deception refers to the intended, illusory effect on the audience (and any experienced by characters within the plot); duality is reflected in the pairing of the actor/character with their dummy twin (and often reflected by twinning characters either with another character or psychologically, as in schizophrenia); abstraction defines the dummy as an inanimate image/replica of its living, human counterpart (again, which may also have metaphoric impact on the story’s characters). In addition, ever-present are themes of dehumanization, re-humanization and familial dislocation. Elements of visual storytelling in cinema that are relatable to cinematic dummies include (but are not limited to): shadows, silhouettes, mirror reflections, paintings, statues, photographs, dolls, mannequins, costumes and masks.

An examination of films that contain a dummy death, using these two methodologies in tandem, allows the viewer to bypass potential analytical roadblocks like personal taste, subjective notions of high and low art and more traditional approaches to film criticism in favor of a more objective, fixed set of thematic and physical elements that can be used like tools to uncover hidden, recurring patterns of meaning, symbolism and sub-textual counter-narratives in all (including non-dummy-death) cinema.

This overall approach also levels the cinematic playing field, allowing for an examination of films by directors as disparate as Alfred Hitchcock and William Castle, Francois Truffaut and Al Adamson, Quentin Tarantino and Edwin S. Porter, Steven Spielberg and Shohei Imamura, within the same cinematic, storytelling continuum.

The class will be illustrated by clips from such dummy-death emboldened films like STRAIT-JACKET, SCANNERS, DRACULA VS FRANKENSTEIN, THE BIRDS, 2001 and THE FURY in addition to two crucial silent films: Alfred Clark’s Execution of Mary, Queen of Scots (1895), known to be the first edit in cinema as well as the first dummy-death and The Great Train Robbery (1903), the first complex narrative film and also the first dummy-death within a complex narrative film.

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Dec
19
7:00 PM19:00

Miskatonic Institute of Horror Studies: DEAD EYES OF LONDON: THE GERMAN ‘KRIMI’ FILM

This class will explore the German krimi film, or Kriminalfilm, a genre of West German crime thrillers inspired by the novels of British mystery writer and King Kong creator Edgar Wallace. Began in the late ‘50s with Der Frosch mit der Mask (The Fellowship of the Frog, 1959), made in partnership between Danish production company Rialto Films and West German distributor Constantin Film, krimi films somewhat made up for the lack of a robust postwar national horror cinema in Germany. Though the krimi are not strictly horror films, they feature a madcap blend of genres: horror, crime, mystery, and police procedural, with elements of fantasy and science fiction, resulting in an often surreal mashup of genre tropes.

The popularity of these films led to dozens being produced throughout the ‘60s, with 32 films in the official Rialto series and more spin offs from other production companies. In general, these films follow a simple format inspired by the crime serial of silent filmmakers like Louis Feuillade: a detective, generally from Scotland Yard, is hot on the trail of a criminal mastermind and must wade through an outlandish sea of potential suspects. Often, the antagonists are masked or costumed members of a criminal conspiracy whose motivations are sex, drugs, blackmail, or cold hard cash; sometimes the krimi plots take on a more gothic cast and feature revenge, dark family secrets, and madness. Red herrings and fake identities abound, and many of these films borrow from literary “locked room” mysteries, where the crime committed seems physically impossible, or follow a similar format as future slasher films, where characters in a fixed location are killed off one by one.

With their lurid violence and macabre humor, and shadowy, fog-drenched sets in an imaginary London or in spooky castles replete with secret passageways, the Kriminalfilm is an important but relatively unexplored subgenre. Perhaps this neglect is due to the death of home video releases for English language audiences, but the krimi represent a vital stepping-stone: they are effectively the bridge between German Expressionism and film noir, and later horror subgenres like the Italian giallo film and Eurohorror of the ‘70s. This class will explore the importance of the krimi as a stepping-stone, while also examining the evolution of the series and its relationship to and influence on the horror genre. Though they retained common themes and shared stock characters—often embodied by beloved cult actors like Christopher Lee and Klaus Kinski—krimi plots would become increasingly lurid and pulpy as the series wound to a close in the late ‘60s and early ‘70s, directly influencing the Eurohorror of the ‘70s.

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Sep
19
7:00 PM19:00

Miskatonic Institute of Horror Studies: GOD OF THE OUTSIDERS: SATAN IN LITERATURE, CULTURE, AND ENTERTAINMENT—OLD MYTH AND NEW INSIGHT

There exists a little-understood counter tradition in Western life that often goes under the easily misconstrued term Satanism. In this intellectually stimulating and probing evening, Mitch Horowitz (“solid gold” – David Lynch) explores the interplay between our primeval understandings of the Dark Side and how Satan is reflected back to us in myth, parable, legend, culture, horror, music, and fashion. Tracing the earliest origins of humanity’s conception of an opposing force in the Eastern and Western worlds, Mitch explores some of history’s most bracing and provocative interpretations of the Satanic—from the work of Milton and the Romantic poets (William Blake’s The Marriage of Heaven and Hell; Lord Byron’s Cain) to more recent fiction and nonfiction literary efforts (Arturo Pérez-Reverte’s The Club Dumas; Anton LaVey’s The Satanic Bible; Michael Aquino’s The Diabolicon), and examines how even some of our most recognized supernatural films (Devil’s Advocate; Rosemary’s Baby; The Ninth Gate) enunciate Satanic themes with penetrating classical validity. In the process, Mitch strips away historical and cultural preconceptions, misunderstandings, and shibboleths to open an entirely fresh window on the intellectual and cultural idea of the Satanic in Western history and contemporary life. He shines a new light into ancient myths, canonical literature, legends, and pop culture to trace out an authentic outsider tradition of Satanic thought. Join us for a challenging and eye-opening evening. You will come away with an entirely new conception of a “familiar devil.”

Buy tickets here:

https://www.miskatonicinstitute.com/events/god-of-the-outsiders-satan-in-literature-culture-and-entertainment-old-myth-and-new-insight-nyc/

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Sep
18
9:00 PM21:00

DEPRAVED

US. 2019

DIR: L. FESSENDEN

The legend of Frankenstein gets a provocative modern update in the stylishly disturbing new film from indie horror master Larry Fessenden. Suffering from PTSD following his stint as an army medic, Henry (David Call) now works feverishly in his Brooklyn laboratory to forget the death he witnessed overseas by creating life in the form of a man cobbled together from body parts. After procuring a brain from an unwitting victim, his creation—Adam (Alex Breaux)—is born. But it soon seems that giving life to Adam was the easy part; teaching him how to live in a dark and troubled world may be perilous. A complex, emotionally shattering tale about what it means to be human, Depraved brings Mary Shelley's immortal fable fully into the 21st century.

Buy tickets here:

https://www.eventbrite.com/e/depraved-tickets-71874389233

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Sep
17
7:00 PM19:00

DEPRAVED

US. 2019

DIR: L. FESSENDEN

The legend of Frankenstein gets a provocative modern update in the stylishly disturbing new film from indie horror master Larry Fessenden. Suffering from PTSD following his stint as an army medic, Henry (David Call) now works feverishly in his Brooklyn laboratory to forget the death he witnessed overseas by creating life in the form of a man cobbled together from body parts. After procuring a brain from an unwitting victim, his creation—Adam (Alex Breaux)—is born. But it soon seems that giving life to Adam was the easy part; teaching him how to live in a dark and troubled world may be perilous. A complex, emotionally shattering tale about what it means to be human, Depraved brings Mary Shelley's immortal fable fully into the 21st century.

Buy tickets here:

https://www.eventbrite.com/e/depraved-tickets-71868798511

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Sep
16
9:00 PM21:00

DEPRAVED

US. 2019

DIR: L. FESSENDEN

The legend of Frankenstein gets a provocative modern update in the stylishly disturbing new film from indie horror master Larry Fessenden. Suffering from PTSD following his stint as an army medic, Henry (David Call) now works feverishly in his Brooklyn laboratory to forget the death he witnessed overseas by creating life in the form of a man cobbled together from body parts. After procuring a brain from an unwitting victim, his creation—Adam (Alex Breaux)—is born. But it soon seems that giving life to Adam was the easy part; teaching him how to live in a dark and troubled world may be perilous. A complex, emotionally shattering tale about what it means to be human, Depraved brings Mary Shelley's immortal fable fully into the 21st century.

Buy tickets here:

https://www.eventbrite.com/e/depraved-tickets-71867211765

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Sep
15
6:00 PM18:00

DEPRAVED

US. 2019

DIR: L. FESSENDEN

The legend of Frankenstein gets a provocative modern update in the stylishly disturbing new film from indie horror master Larry Fessenden. Suffering from PTSD following his stint as an army medic, Henry (David Call) now works feverishly in his Brooklyn laboratory to forget the death he witnessed overseas by creating life in the form of a man cobbled together from body parts. After procuring a brain from an unwitting victim, his creation—Adam (Alex Breaux)—is born. But it soon seems that giving life to Adam was the easy part; teaching him how to live in a dark and troubled world may be perilous. A complex, emotionally shattering tale about what it means to be human, Depraved brings Mary Shelley's immortal fable fully into the 21st century.

Buy tickets here:

https://www.eventbrite.com/e/depraved-tickets-71863300065

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Sep
14
8:00 PM20:00

DEPRAVED

US. 2019

DIR: L. FESSENDEN

The legend of Frankenstein gets a provocative modern update in the stylishly disturbing new film from indie horror master Larry Fessenden. Suffering from PTSD following his stint as an army medic, Henry (David Call) now works feverishly in his Brooklyn laboratory to forget the death he witnessed overseas by creating life in the form of a man cobbled together from body parts. After procuring a brain from an unwitting victim, his creation—Adam (Alex Breaux)—is born. But it soon seems that giving life to Adam was the easy part; teaching him how to live in a dark and troubled world may be perilous. A complex, emotionally shattering tale about what it means to be human, Depraved brings Mary Shelley's immortal fable fully into the 21st century.

Buy tickets here:

https://www.eventbrite.com/e/depraved-tickets-70069911993

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Sep
13
8:00 PM20:00

DEPRAVED

US. 2019

DIR: L. FESSENDEN

The legend of Frankenstein gets a provocative modern update in the stylishly disturbing new film from indie horror master Larry Fessenden. Suffering from PTSD following his stint as an army medic, Henry (David Call) now works feverishly in his Brooklyn laboratory to forget the death he witnessed overseas by creating life in the form of a man cobbled together from body parts. After procuring a brain from an unwitting victim, his creation—Adam (Alex Breaux)—is born. But it soon seems that giving life to Adam was the easy part; teaching him how to live in a dark and troubled world may be perilous. A complex, emotionally shattering tale about what it means to be human, Depraved brings Mary Shelley's immortal fable fully into the 21st century.

Buy tickets here:

https://www.eventbrite.com/e/depraved-tickets-70068744501

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Sep
12
9:00 PM21:00

GHOUL SCOUT ZOMBIE MASSACRE

US. 2018

DIR: E. EICHELBERGER

Four girls find themselves in a reform school run by an evil woman that joins forces with her equally demented scientist brother who creates a serum to turn attractive rocker guys into lobotomized sex slaves for his underground porn business. The scientist brother laces Girl Scout cookies with the serum while his sister offers full pardons to the girls to sell them. They are aware that they aren't your average cookies and agree. The evil plan backfires and the rocker guys turn into flesh-eating zombies and terrorize the town. It's up to the girls to clean up the mess and restore peace before it's too late.

GHOUL.jpg
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Sep
11
9:00 PM21:00

THE NIGHTINGALE

AU. 2018

DIR: J. KENT

Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.

Buy tickets here:

https://www.eventbrite.com/e/the-nightingale-tickets-71731140773

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Sep
10
9:00 PM21:00

THE NIGHTINGALE

AU. 2018

DIR: J. KENT

Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.

Buy tickets here:

https://www.eventbrite.com/e/the-nightingale-tickets-71730354421

NIGHTINGALE.jpg
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Sep
9
9:00 PM21:00

THE NIGHTINGALE

AU. 2018

DIR: J. KENT

Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.

Buy tickets here:

https://www.eventbrite.com/e/the-nightingale-tickets-71726416643

NIGHTINGALE.jpg
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Sep
7
9:00 PM21:00

THE NIGHTINGALE

AU. 2018

DIR: J. KENT

Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.

Buy tickets here:

https://www.eventbrite.com/e/the-nightingale-tickets-71724448757

NIGHTINGALE.jpg
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Sep
6
9:00 PM21:00

THE NIGHTINGALE

AU. 2018

DIR: J. KENT

Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.

Buy tickets here:

https://www.eventbrite.com/e/the-nightingale-tickets-71722033533

NIGHTINGALE.jpg
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Sep
5
9:00 PM21:00

THE NIGHTINGALE

AU. 2018

DIR: J. KENT

Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.

Buy tickets here:

https://www.eventbrite.com/e/the-nightingale-tickets-70857967087

NIGHTINGALE.jpg
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Sep
4
9:00 PM21:00

THE NIGHTINGALE

AU. 2018

DIR: J. KENT

Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.

Buy tickets here:

https://www.eventbrite.com/e/the-nightingale-tickets-70857770499

NIGHTINGALE.jpg
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Sep
3
9:00 PM21:00

THE NIGHTINGALE

AU. 2018

DIR: J. KENT

Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.

Buy tickets here:

https://www.eventbrite.com/e/the-nightingale-tickets-70857545827

NIGHTINGALE.jpg
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Sep
1
8:00 PM20:00

THE NIGHTINGALE

AU. 2018

DIR: J. KENT

Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.

Buy tickets here:

https://www.eventbrite.com/e/the-nightingale-tickets-70853563917

NIGHTINGALE.jpg
View Event →